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The narrator and the reader (Stressed)

The relationship established between the reader and the narrator is very subtle and only takes place through language.
There are levels of narration, some obvious and others hidden. The narrator's mission is to spread the story of the elements necessary for the reader to know what you say.
Particulars have value in themselves. When you say "Martha was twenty years", there is an indisputable information. Information that determines the subsequent activity Marta.Los evidence, however, has a hidden meaning that the reader must decipher. Are essential not level ever, not affect the core, but for speech, for the progression of narrative.
Stories sequences are developed. A sequence is considered to begin when you do not owe anything to the text that precedes it. And is considered closed when he had explained what he wanted and has no influence on the following. For example: a coffee, you ask, drinks it, pays. Closed loop. The
stories seem to escape: they endure while prolonged. Writing is seduced by means of structured language. There are times when the characters act as a nucleus. And Aristotle said that there may be "fable" (history) without characters, but characters without "fable."
The best writer is not to invent the best stories but it handles better than anyone the codes which he shares with the reader.

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Internal Structure a story (stress)

I do not know. I guess what I do is a certain apathy in the reports, a routine to write. They are little worked, are unoriginal, have little substance, do not project a spirit of improvement, lack of structure ... (Let's leave exceptions aside).
And then I get to the internal structure of storytelling.
Scissors. Is there a fear of using the scissors? Yes rookie writer believes that this sentence is the best of your life and take away nothing. First mistake.
the core. There are stories that do not have a core role. Lack that "almond" around which everything else revolves. Diluted as the ice cube.
The subnucleus. Paragraphs that support the plausibility of the nucleus and serve to advance the story.
information. Are phrases that we put in time and space. Sometimes it stretched so much that they eat the kernel. Dan accessory information is not necessary to create the voltage required by the story.
Signs. Demonstrate how the character, qualities, extension of the action we are counting. Some people enjoy trs copy and paste sentence sentence enfordar the story with adjectives, sunrises, baroque.
THE ROOKIE. You can have a great idea, but the clothes of both informants and evidence that the nucleus disappears. The novel is not cut all the leaves and leave the bare nucleus.

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Notes useful for the craft of writing