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THE INSIDE STORY (an approach to structural analysis of narrative)

Stressed

THE INSIDE STORY: An approach to structural analysis of the story.

giving samples of a daring unwise, I intend to investigate how are the stories inside. Some call this the carpenter, other craft, and other hidden part of the iceberg.
Let us agree on the nomenclature. Every story has a few moments. I will simply follow the terminology used by most inspired by Roland Barthes.
According to these authors, the story consists of the following elements:
a) CORE: that is the important part of history, the facts without which there is no story. Taking as an example the story "Guadalupe" Angelika (please do not fuck me mania) the core is the fact the jay train to steal euros of the human statues of the Ramblas of Barcelona.

b) subnucleus, which are changes or turns that bring the story a different course. For example: Do not fare well on the banks of the Jalón and therefore going to Barcelona. Or change the euro cents to perfect robbery.

c) REPORTING: these are details that complete the action. For example, the sheet of newspaper was in the trash and dirty. The road brings bad news for the magpie: Cupid's arrow shoots a dove wimp.

d) HINTS: There are data on how are the characters, their qualities. For example: The magpie is very clever and cunning.

With these four sections we study the structure of the story. If the evidence will prevail quality. If there are many other informants will. If you have more than one core will be what it is.
With all the risk involved, let them.
Story with implicit permission (and suffered) by Angelika. Let's see if together we get something good out of the analysis. I am going to endeavor, although I predict success. If Don Fernando Lazaro Carreter lifted my head would spank. Greetings

circumspect.

now for apply theory to practice, using the story of Angelika:



GUADALUPE "This morning I arrived with my magpie to Barcelona. Just off the train in which we have fortunately been able to slip the reviewer, we found a euro on the platform. I've caught, I've taught Guadalupe and I said, 'Look, Lupe-only me-I may call it, a euro, in Barcelona we will be lucky we have not been on the banks of the Jalón. " Its black bill has answered me: "Eurico, Alphonse." I have answered that because no confusion with King Juan Carlos Eurico, the Visigoth king (known to the memory list), but because our people get used to ico suffix used to form diminutives. It is stubborn but has a grace ... From bird, since newly fallen from the nest on top of a poplar adopt it, since I just catch the ground told him that I called Angel, she called Angelico. With everything that was said. "CONTENT ANALYSIS

the first paragraph:
1. (Informant) Arriving by train to Barcelona in the morning.
2. (Hint) have avoided meeting with the reviewer.
(ellipsis) is supposed to travel without a ticket.
(Core) find a euro on the ground.
5. (Evidence) they are better than open perspectives "on the banks of the Jalón.
6. (Ellipsis) come from Aragon. Form diminutives in "ico".
(Digression) Gothic kings are known by heart.
(portrait) is stubborn but funny.
(portrait and sign) is a trained bird but with personality and ideas.

"I forgot to say that we are poor in solemnity. In fact, Guadalupe was not in town because, as the lady magpie Iriarte's fable, and kept stealing thousand jewels: red links, buckles, guitar pins, combs media, medals and many other trifles. I said we, because even though they insisted that I do him a bundle with the wealth they strain had been stealing and saving (I wanted to leave stunned and dead envious of those of his caste when he came to Barcelona), Lupe is not left with yours. Did not give my arm twisted and caught the train without luggage. However, to get to succumb had to coax highlighting his art theft and promising to teach him in Barcelona to steal things more interesting. "

CONTENT ANALYSIS of the second paragraph:
(Informative) Are poor.
(core and ellipsis) The bird was not because they stole everything. Why? Magpie word has another meaning that the author is doing well now suggest.
(back to story) The driver is him and not let him put their belongings.
(informative) Make a deal: I will teach you to steal something more profitable.


"By passing of one of my hands to the other, the euro found at the station, I had the idea: to teach Guadalupe to steal money. When you hear about his involvement in the plan to get rich, says "Money, Money" shaking his head and thus its green and red highlights, and has begun to sing a Jack being the speed with white feathers from his shoulders. On the street, believing that it fulfilled my promise to teach you more interested in stealing things, Lupe has learned in a short time to steal our euro. I took a piece of dirty newspaper and backward in a dumpster, I've put down, I placed the euro up, I am left standing like a statue and next to the scrap of paper, and Guadalupe has won the euro and has flown off to go back and hide in the open bag hanging from my neck. There was no need to repeat it many times because he is smarter than the hunger we have. It better, I have, because every once in a while Lupe steals food to the pigeons. "

CONTENT ANALYSIS THIRD PARAGRAPH:
(index) is a person accustomed to the hand or Trileros games.
(center) teaches Lupe steal. (Link to the announcement in the second paragraph: "I will teach you to steal things more interesting.")
(core) has a plan to get rich.
(informant) he sings Jacks (ellipsis) is of Aragon.
(ellipsis) in the street, you know stealing (informative)
(sign) Take an old sheet of newspaper.
(core) is standing next to the newspaper still imitating the statues of the Ramblas.
(core) the magpie steals the euro, and deposits it in the bag.
(evidence) not repeated because it is a bird list.
(digression) sometimes rob the birds and feed, but not him.

"After noon, the clerk at a stationery store has changed the euro. Just over time it has taken to Guadalupe learn to steal coins, in this case had to always choose the piece of higher value.'s Five pm, and we just get to the Plaça de Catalunya to go down the Ramblas robbing passers coins deposited in vessels both male-and female-statue statue placed at his feet for that purpose. "

ANALYSIS OF CONTENTS OF THE FOURTH PARAGRAPH:
(temporal ellipsis) after midday.
(Information) The clerk changes their euro cents.
(temporal ellipses) is five in the afternoon.
(informative) This is the Plaza de Catalunya and walk to the Ramblas.
(core) to steal the coins deposited at the foot of the statues.
"About to walk on the Rambla de Chutes came into my head the news I read on the sheet of newspaper on the Guadalupe has learned to steal coins: a Cupid statue, which is a pigeon shit on small change of the basket, drew an arrow from his quiver, bow and loaded Columba Chartered wimp. Then I imagined the Ramblas full of statues threatening Lupe: a David with a sling and stones, a Rambo; lancers Romans, Arabs, Goths ... He just said to Guadeloupe, and agrees with me, the buskers are less dangerous. None plays a working tool giving violinazos, guitarrazos or contrabajazos. "Look, Lupe, a little further down the gutters Font is one that plays the accordion." He has been saying that and saying, "Acordeoncico, acordeoncico" has flown determined to steal the loose. It has a grace ... that we become rich. "

CONTENT ANALYSIS OF THE FIFTH PARAGRAPH:
(digression) remembers a story he read in the dirty sheet of paper.
(core) Stealing can be dangerous for Lupe.
( Informative) Musicians streets are less dangerous.
(final outcome) has been stealing from musicians.
(core and final point of the story) This is getting rich.

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